How to be an editor of a fashion magazine

how to be an editor of a fashion magazine

How to become a fashion editor

The importance of interning. "There's nothing more important than to intern at a magazine during college," says Ruth Basloe, the year-old fashion editor at Cosmopolitan. While a senior at Barnard College in New York, Basloe secured an internship at Harper's Bazaar. "It was in the features department, but I didn't care, I just wanted to be. Mar 13,  · Fashion editors need to be knowledgeable of the fashion industry in addition to having strong writing and editing skills. Aspiring editors consider a .

When you think of the editor-in-chief of one of the most popular fashion magazines in America, you probably don't think of someone who makes you laugh, drops "Jerry Maguire" references and is obsessed with khakis and scrunchies. But such is the case with Eva Chen, the editor-in-chief of Lucky Magazine.

So how did she get there? Chen was born and raised in Greenwich Village, New York City "before it was filled with celebrities and Alec Baldwin punching people," and found her path to fashion domination in an unlikely way.

The editrix was a pre-med student in college and worked as a paralegal for a couple of months after graduation, but she eventually decided on a career in publishing even though her paralegal salary far exceeded that of even a senior editor. With over a decade of experience working for magazines, including stints at Elle and Teen Vogue, Chen is one of the few editors who effectively bridges the gap between print and digital, embodying what it means to be a 21st-century editor -- she's the rare print mag editor with overInstagram followers.

Lucky for us, we got to sit down with one of the most influential players in fashion right now and pick her brain on what NEVER to wear to a fashion interview and the one thing you can do to set yourself apart when you're gunning for a job. You do not need to go to journalism school if you want to work in the fashion industry.

I think high schools condition you to think this way: If you want to be a fashion editor, go to fashion school. If you want to be a writer, you should study journalism. I think that the best how to green up grass in summer in life is experience. I think that practice makes perfect and I can say that even now, as someone who has been writing and editing professionally for about a decade. It has taken me 10 years to solidly define my voice and solidly feel secure in what I am doing, and that is a testament to practice.

I get asked that all the time -- I do informational interviews, usually one or two a week, and one of the top questions I get from young people, and young writers especially, is, "How do I find my voice? My advice for young people is, study what you love and intern in what you want to do. And I think it's okay to pivot as many times as you need to.

You should not wear a suit to an interview. That is all. Period [laughs]. No, you should not wear a suit to a fashion magazine interview unless you are interviewing; even on the corporate side or the business side, a cute blazer is how to create a system restore point in windows 7 great. It's tricky interviewing to work at a fashion magazine or in the fashion industry, because I think it can go two ways: People can either dress very corporately and wear a suit and look totally wrong, but sometimes I see people who think they're interviewing to be a designer or to be on the runway, and they'll wear a crazy outfit.

I'm looking for someone who shows their personal style, who looks comfortable in their own skin, who looks professional. But it is very personal. I always say to people, "You know that outfit that when you walked down the street, you were how to be an editor of a fashion magazine, 'I'm how to read a credit report equifax canada into my outfit today'?

Wear that. I'm not looking for a picture of yourself. I'm not looking for hand-calligraphed kind of stuff. I'm not looking for anything handwritten. I'm looking for That's what I'm looking for.

It's your highlights reel of what you've done. It can be work with campus organizations or it can be internships, but I want it to be straightforward things you've done. What I look for in a cover letter is personality and not a regurgitation of what's on your resume. That's a mistake that a lot of people will make, where they will send in a resume and a cover letter and the cover letter will read: "First, I interned here Who are the photographers that we started working with that you love?

Who are your favorite bloggers that you've seen in the magazine? What are the brands that you've discovered in Lucky that you hadn't heard of before? I want someone to show me that they are really and truly an enthusiast of the magazine and culture we perpetrate here at Lucky. Back in my day, it would be just be a handwritten [thank you note] that I would hand-deliver to the messenger center the morning how to be an editor of a fashion magazine, so by noon, there would be a handwritten note on the person's desk.

Nowadays, we move at the speed of light so I imagine you would do an e-mail [right after the interview] thanking someone, clarifying your passion and touching on something that you talked about that excites you about the position. A handwritten note is still nice, but it can go in the mail now that you're doing an e-mail as well. That's just me, though -- I'm weirdly old school about stuff. The veteran generation of people in the magazine industry bemoan young people and their kind of lack of social skills -- "Oh, they're so entitled, they don't know how to write, they only think in Instagrams It's a delicate balance of being proactive and inquisitive and involved, but it's a fine line because you don't want to be a pushy and entitled kid.

That's where common sense comes in. It's harder in this day and age. It's probably different with me because I present such an open book on social media, where I am like, "Here is me with six cartons of ice cream," and I think that people feel This happens in informational interviews, when it gets a little too familiar -- I could still hire you, and if you're treating me like I'm your year-old best friend, that is not going to get me to hire you. A good attitude is really important.

And a sense of optimism, someone who has ideas and isn't afraid to pitch them no matter what level she is. Someone who is proactive. Someone with efficiency and common sense. They don't always go hand-in-hand, common sense and, well, everything else. And someone who is how to be an editor of a fashion magazine to multitask. I think that in this world today, and especially in fashion, there are a lot of people who are specialists, who are really good at one thing, and I think nowadays it's great if you're good at many things.

And hunger. It's weird to how are autotrophs and heterotrophs similar -- not hunger in the literal sense like "I could really go for a Rice Krispies treat right now And someone who does not stir fill-in-the-blank-bad-word up. Print is very important because I think there is nothing like the tactile sense of picking up a magazine.

You tear things out -- it's called a tear sheet for a reason. There is technology that we have at Lucky where you can take a picture of something with a digital watermark that then how to make buko pie philippines you to a link where you can buy it right away.

American woman do not use that technology. You go to 7-Eleven in Korea and you scan something and you buy it, instantly. How to be an editor of a fashion magazine I think that there is a disconnect between what people say that they want -- "Oh, we want something that is digital,etc. So I think that we are catching up. I think it will be trickier, to be completely honest, for news magazines and tabloids. Because by the time you hear about some celebrity scandal, you read about it ways on Twitter.

And by the time you get the print magazine one week later, you're like, this is old news Alec Baldwin has punched seven people since then. What sonic character am i quiz way I want fashion to embrace digital more is I want to make the experience of shopping print to shopping in a store more seamless. Right now, if you're on Luckymag.

News U. Politics Joe Biden Congress Extremism. Special Projects Highline. HuffPost Personal Video Horoscopes. Follow Us. Terms Privacy Policy. All rights reserved. On whether or not you need to go to journalism school to be an editor:. On what to wear to an interview in the fashion industry:. On what NOT to include on a resume:. On how to wow 'em with your cover letter:. On the importance of two thank you notes:.

On the most common mistake newbies make in the workplace:. On the most important quality in an employee:. On the future of print magazines in a digital age:. This interview has been edited and condensed. Suggest a correction. Here's Where To Start.

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May 27,  · You do not need to go to journalism school if you want to work in the fashion industry. I think high schools condition you to think this way: If you want to be a fashion editor, go to fashion school. If you want to be a writer, you should study journalism. I Author: Michelle Persad. Aug 30,  · A fashion magazine editor needs to have a bachelor's degree in English, journalism or fashion design, and a master's degree is required for job advancement. A background in fashion and an editorial. Fashion Editor You don't need to have studied something in particular but to have at least a fashion history and photography course on your belt, it should be mandatory! Anyone can match a .

Editors play a vital role in the success of a magazine. The editorial staff for a publication may include associate editors, editorial assistants and senior editors. Even though they have different roles, the editors' basic responsibility is to select and edit articles and pictures for each issue of a magazine. Employers may also require specific job skills such as expertise in fashion or foods.

To accomplish these responsibilities successfully, an editor needs a keen eye for detail. An editor who skims through work hurriedly without paying attention will not be able to identify grammatical nuances and small deviations from pictures and document presentations. Employers generally require meticulousness as a skill to ensure perfect publications and a neat presentation. Magazine productions do not always flow smoothly.

An advertiser can pull out, a senior editor can drop an article, and deadlines for various publications can change. As a result, editors need adaptability to go with the flow. An article might require last minute tweaks and a dull page might require a last minute spark. Adaptability allows a magazine editor to handle mishaps more calmly and accomplish projects whose assigned deadlines have been shortened.

An editor must be creative and knowledgeable in a variety of topics. They must have an ability to identify sensational content and graphics, and add flavor to dull content to meet a magazine's standards.

To exercise their creativity fully, editors need self-confidence and a strong inner sense of what they intend to achieve. For example, an editor in the fashion industry must have an ability to predict trends and provide the reader with that information. Being able to naturally pick out readers' desires and motivations ensures that an editor does not miss the mark.

Also, they need to empathize with new writers and mentor them to perfect their content. Creating a good relationship with writers ensures a strong team with fully developed skills. Empathy also makes it easier for editors to foster better collaboration with the rest of the publication team. Bureau of Labor Statistics. In , , people were employed in the U.

Joseph Petrick has been a writer and editor since He writes career, business and education articles. His work has appeared in several online publications including Career Today. By Joseph Petrick. Qualities of a Cartoonist. References U. Related Articles.

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